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Marta Dvorak
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The faces of carnival in Anita Desai's "in custody"
Marta Dvorak
- Belin éducation
- Cned ; Serie Anglais
- 5 Janvier 2009
- 9782130571087
This book offers a culturally-specific reading of anita desai's in custody informed by indigenous practices and beliefs, which enables global audiences to access contemporary indian writing in english.
It shows that certain constants in multiple belief-systems also allow points of entry, particularly in light of the internationalization of literatures in the post-colonial period. the author argues that desai's novel configures the writer's view of and engagement with global society. it exemplifies transnational writings rooted in different canons which have always migrated, mixed, and mutated. marta dvorâk investigates the intertextual dialogue programmed into desai's novel, which is part of the intercultural practices grounded in both relativism and universalism (houri bhabha).
She shows how literature encodes ideologies, and how the ideologies are presented through the cultural filter of the author's discourse conditioning readerly responses. her study engages with the hybridized narrative traditions of englishlanguage indian writing, showing how narratives circulate from one culture to another, displacing the migrant symbols and myths through which our global society manufactures meaning.
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Lire Margaret Atwood ; the handmaid's tale
Marta Dvorak
- Presse Universitaire de Rennes
- Interférences
- 2 Février 1999
- 9782868473851
Ce recueil bilingue consacré à l'écrivain canadien Margaret Atwood, reconnue comme l'une des figures dominantes de la littérature d'expression anglaise, contient l'intervention qu'elle a prononcée à Rennes en novembre 1998 sur son roman The Handmaid's Tale (La Servante écarlate) et sur le genre auquel il appartient. Le roman, inscrit aux programmes 1999 du CAPES et de l'Agrégation d'anglais, a été l'un des plus grands succès littéraires des années 80 aux Etats-Unis, au Canada et en Grande-Bretagne. Utopie, dystopie, satire, ou fiction spéculative, ce texte au scénario terrifiant s'inscrit à l'intérieur du courant postmoderne. Cet ouvrage rassemble des études du roman qui ont été présentées en décembre 1998 au Colloque Margaret Atwood organisé par le Centre d'Etudes Canadiennes de Rennes. Les auteurs analysent le texte sous différents éclairages : ils explorent les rapports entre littérature et société, politique et poétique, langage et organisation de la cité, et examinent les stratégies de détournement mises en oeuvre. This bilingual collection devoted to Canadian writer Margaret Atwood, one of the best-known figures in the field of English language literature, contains the address that she pronounced in Rennes in November 1998 on her novel The Handmaid's Tale - one of the greatest literary successes of the 80's in the United States, Canada, and Great Britain - as well as on the genre to which it belongs. Whether it be a utopia, dystopia, satire, or else speculative fiction, the text with its terrifying scenario belongs to the postmodemist movement. This volume brings together studies of the novel that were presented in December 1998 at the Margaret Atwood Conference organised by die Centre d'Etudes Canadiennes of Rennes. The authors analyse the work from different perspectives - they explore the relationship between literature and society, politics and poetics, communication and community, and they study the strategies of resistance and displacement set up by the writer.